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It is an attentiveness to my subjective experience, the meanings that I form upon entering a place and the historical record that I confront, which I want to use as points of tension within my work. This attempt can be seen in the video footage of the ‘Concordia’ shipwreck.

I was aware of my implications as a filmmaker going to the Mediterranean Island of Giglio, where tourists travel for vacation and in 2012 to also photograph the remains of a tragic ‘global’ event. To me the lodged shipwreck along the coast in front of people who continue their vacations symbolized many social and political tensions currently present in Italy. On a more universal level, I wanted to comment on the excessive need we have to image making and the contradiction of my documenting this activity.